This is beautiful example of Jose's lyrical style and solid use of Flamenco harmony. Many of the typical chords found in A major are present here and the only semi outside chord would be the first thing he plays which is a Dmin9/F or you can think of it as an F6. Either way this chord functions as what many call the flat six (bvi) chord and usually is paired with the E chord as in a typical phrygian I-II relationship. However this is not the typical Flamenco phrygian based off the III(C#) because it is based off of the V(E7) chord in the key of A major. Its just another way to expand harmony if you think about it and Jose probably doesn't think about it which is why his treatment of Flamenco harmony is so brilliant.
Link to Jose’s music for download: https://www.joseluisdelapaz.com/discography
Recorded in Santa Barbara, CA by Berto Boyd for more info visit: https://bertoboyd.com/
